Modern Baby

January 2, 2021

I haven’t been a big fan of the “modern” fabric/quilt scene. Libby Lehman said, “The fabrics were ugly then and they’re still ugly” about the “modern” retro fabrics in the 1960s/1970s? style. I agreed. However, I saw a quilt in this magazine in 2008 that appealed to me.

So, I headed to my local shop which had a small collection of the “modern” fabrics. I found enough to fulfil my needs. At some point I cut them out (right away or some later time? don’t remember) and the project got put away, probably because some other squirrel got my attention. Years passed. I took it to my guild’s fall retreat in 2018 and assembled the body of the quilt. I remember that I got some parts positioned other than where I wanted them but left it as it was. Then it sat some more until sometime in 2019 or early 2020. I can’t find any photo of it at that stage. One reason it sat is that the original backing I bought, the amount in the pattern, wasn’t big enough. Hmph! And, it didn’t really quite go with the front, it was too strong in color and just not quite the right style.

At some point my brother told me his tenant was having a baby in early 2020. Well, of course she needed a quilt. Now I had to get busy and git’er-done and get it to the quilter which I did on 3/14/2020. I prefer to make quilts that the baby can grow into. I felt the top wasn’t large enough and I had some leftover fabric but not a lot. Linda was over and made some suggestions. Although the order to shelter in place hadn’t come just yet, she wasn’t doing in-person consultations in her home. I picked it up in early May. Under normal circumstances it would have been delivered in August but Covid prevented that.

Modern Baby

I added the piano key border and maybe the inner plain border with corner squares. Apparently I didn’t make a note of the measurements. Based on the number of square inches the quilter charged for it’s around 49″ square.

The backing is flannel. I admired and fondled that flannel in the store for months and months and months. Finally decided to buy it for future use, maybe it was on the clearance shelf by then. I love being able to shop in my fabric room. This flannel was perfect for this quilt. I even put a label on the quilt, not that I expect it to survive for future historians. I see I neglected to put the date the quilt was made on it. Oh, well. Finished is better than perfect.

I delivered the quilt on my recent trip to Illinois over Christmas, suitably distanced, of course. The mother was thrilled to receive it. Said her grandmother and great-grandmother were quilters but that talent hadn’t been passed down to her mother or her.

Of course we have to have a picture of the baby on the quilt. She was born in January 2020 so will be a year old this month. Happy Birthday, baby!

Final Visit?

December 31, 2020

The last time my brother and I saw Dad was Christmas 2019. Mom last saw him in early March 2020. Dad is isolated in a nursing home. None of the distance visiting methods work for a 97 year old who is mostly blind, profoundly hard of hearing and has dementia. We have called him on the phone a few times but that has not been successful recently. Mom tries to call about once a week. My brother, the schemer, figured that if we made Dad a doctor’s appointment we could ambush him in the doctor’s waiting room. So, he made the appointment. The week before Christmas we had this text exchange:

Mom: I think you should cancel that appointment. If he needed to see the doctor, they would take care of it. You don’t need to be running around down here and getting exposed.

Brother: I would like to see him one last time and say some nice things. And give him his gifts and giant box of candy.

Mom: Why do you think he wouldn’t be around a few months later? I signed the papers for a Covid shot, so they’re expecting to get them soon.

Me: Because he’s 97 and quite frail.

Mom: All of his physical tests are negative. He’s planning to live to 100.

Brother: Then I hope my visit wouldn’t be the last!

As you can see, Mom was in the land of denial. She wanted us to not come until Covid is over. I thought long and hard about whether or not to travel for Christmas. In the end, I decided it would be safe. I had a face shield and mask, disposable gloves for pumping gas. My Covid go bag always has hand sanitizer and wipes. I wasn’t planning to be around a lot of people so I felt I would be almost as safe as I would be here at home. I’m glad I went. We were absolutely stunned and shocked by what we saw when Austin (the transport nurse) wheeled him in.

We wonder why they didn’t put shoes on him and put his hearing aids in his ears. It’s one thing to see pictures of someone’s decline over these months on tv but quite another to see it in person. I’m sure he wouldn’t be quite this bad if it weren’t for being isolated since March with little, if any, stimulation. He wasn’t at all alert and we weren’t able to make him understand that we were there. He did perk up for a moment when he heard my brother say “your wife”. Dad said, “My wife? I LOVE HER!” Bill went into the exam room with him because that’s the only way we’d get any useful information. Dad is, or was, 6 feet tall. He now weighs 148 pounds or less – hasn’t been this weight since WWII. His vital signs are ok but he is dwindling or diminishing. I forget which word was used. He’ll soon reach the point where there isn’t anything left to diminish and organs will begin to fail. Bill did get him talking about mom in the exam room but it was all fantasy. He said mom was from Switzerland and on a swim team and some other stuff and somehow they met. I’m sure he spun quite a yarn.

I had plans to visit with my BFF from junior high. Of course, mom threw a wrench into the works. After dad’s appointment I took her over to her doctor’s office for a Prolia shot, then she wanted to get lunch at Arby’s and after that, I had to take her to the hair salon. At one point before I took mom home to her apartment, she quietly said, “I don’t think your father is going to make it to his next birthday.” So, she might be beginning to dwell in the land of reality about the situation and understand why we wanted to come now. A friend who died this year always ended her emails with “We are not promised tomorrow.” I doubt I will ever see my father again.

After I dropped mom off at her facility, I spent about an hour with my friend at her house before heading up to Chicago to my brother’s. I stayed geared up with face shield and mask while at her house.

We only had two things to do while I was at my brother’s. The first was to sell mom’s car. He had the car and all the paperwork but I’m the primary power of attorney so my presence was required to sign all the documents. That took a couple of hours of sitting around CarMax but we got it done. My brother was quite relieved to have that off his shoulders.

Monday night we had tickets for Lightscape at the Chicago Botanic Garden. It’s a 1.25 mile walking outdoor sound and light show. I was able to take a few photos before my phone died. It’s been going dead without warning even when it appears to have plenty of battery left. It was fully charged when I left the house. Will have to get a new one soon.

The photo on the right doesn’t look as impressive as it is in person. The lights were moving like a waterfall. One installation I would like to have a video of was to the Dance of the Sugarplum Fairies. It was absolutely mesmerizing. I could have watched it for hours. The designer of many, if not all, of the installations was listed as Christopher Wren. My brother asked me, “wasn’t he an architect in England a long time ago?” Obviously, not the same man.

I was supposed to come home on Wednesday (yesterday as I write this) but a storm was moving in so I hightailed it out of Chicago early Tuesday morning. Arrived home around 8 pm that night.

My brother was a Downton Abbey fan while I never saw it. I used to be a great reader of Regency Romances. I had to explain some things to Bill about the history of the period and the typical plot lines while we were binging Bridgerton on Netflix. I got tickled about how eclectic our viewing tastes are. In previous visits we streamed Stranger Things. Not much in common there. This visit we also watched The Midnight Sky, Wonder Woman, and Wonder Woman 84.

Driving from Illinois to Maryland gives one lots of time to think about lots of things. One thought I had was:

Nero may have fiddled while Rome burned but Donald Trump golfed and watched TV while America died.

Does anybody really know what day it is?

April 8, 2020

Does anybody really care?

daysofweek

Having been retired for almost 5 years was good training for self-isolation. Being an introvert also makes it easier to stay at home although I do enjoy my quilt groups and other outings. My calendar started clearing out on March 13th with the cancellation of Jinny Beyer club for the next day. After that the cancellations came fast and furiously. I still have a couple of appointments (chiro and hair) on my calendar for April but I plan to cancel them.

Around mid-March I went ahead and made a hotel reservation for early May for my dad’s 97th birthday but that’s probably not going to happen. Dad’s nursing home has been locked down since early March. Mom’s independent living facility quarantined everyone to their apartments a couple of weeks later, probably because of the governor’s ban on large groups. Everyone in the facility eats in the dining room at the same time. Now the workers bring the meals to their apartments. Mom thinks it’s odd that the only people they’re allowed to interact with are the staff which are the only people who are allowed out of the building. It occurred to me several weeks ago that it’s quite possible mom and dad will never see each other again. That makes me sad. Mom tries to talk to dad on the phone now and then but that doesn’t work out very well. Dad can’t hear and has some dementia. He sure is a tough old bird, though.

Have you been busy during your coronacation? I sure have. Lots to show to you. Not necessarily in order.

leavesleftoverslayout

These are blocks left over from my big quilt. When I cut the leaves out I just cut from everything that I felt went with the border fabric for the big quilt. Didn’t bother to count. Had 35 left over so cut one more. I’m pretty sure I sewed this together but I don’t have a picture right now. Trying to decide whether or not to border. I think I might have decided not. I will post about the big quilt finish another time.

annasbluebasketstop

I finished the Anna’s Blue Baskets/Jo’s Floral Album top. I auditioned a vast number of fabrics for the sashing strips. Finally landed on this one which was perfect. Ended up having to piece some of the sashing strips because the fabric was so uneven at the sides that I lost a few inches after cutting a straight edge. I had just enough fabric. Then I sat and pondered the various techniques I knew for making LeMoyne stars. Those cornerstone stars are 3″ finished. I finally had a lightening bolt hit and thought “Deb Tucker!” Sure enough the smallest star her LeMoyne star ruler makes is 3″. I ordered that sucker so fast it would make your head spin. The stars came out perfectly and were reasonably fast to make. I dithered over the fabric for the yellow for a while. I made a test star with a darker gold but decided to go with the lighter yellow. I like this project a lot better now than when I started it.

I’d like to lecture about the LeMoyne star block vs. what a lot of people are calling LeMoyne star lately but I don’t have all the visuals to do that right now. Maybe another day. A LeMoyne star block is made with 45 degree diamonds and is drafted on an 8-pointed star grid (the lines radiate out from the center). The look-alike block is made with half square triangles which create an uneven parallelogram rather than a diamond. That block is drafted on a 16-patch 4×4 grid. I think Brackman’s book shows that block as Star Flower but I’m not sure I’m remembering correctly.

blocksquareing

I use Karen Kay Buckley’s Perfect Adjustable Square ruler (scroll down to find it) to square up applique blocks. I think her instructions say to make the ruler the size you need on the inside and draw a line to cut on so the ruler isn’t squashing the applique. I just make it the size I need on the outsize and cut.

frolicbody

I finally finished making the Frolic blocks and got the body assembled. I didn’t use Bonnie’s colors. I never got excited about the mystery this time. Assembling it was sheer drudgery. I still need to trim the edges, assemble the border and attach it. I found Bonnie’s instructions for the mystery this year very confusing. Then, the way she had us cut pieces left us with a boatload of leftovers, enough to almost make 9 more blocks. So, I laid out the pieces for 9 blocks and made a list of what I need to fill in the gaps to make a 9-block straight set quilt, not on point like the big one. My 9-block quilt does not have matching sets of pieces like the big one. I just used what was left over. I had to get this one assembled so I could put the next one on the wall to arrange.

Gudrun Erla ran a free quilt-along on March 22 for her Elvira pattern. Someone in her Gudrun’s Quilt Crew Facebook group said it should be called Elvirus. I think I’ll call it Coronacation #2: Elvira/Elvirus.

Elvira

Took me about 10 minutes to pull the fabric for this one. I see a lot of these in my future because it is fast and easy and uses up fabric. This is her lap size which is a huge 63″ x 84″. I think a lot of mine will be the smaller size for donation quilts.

coronaspring

I took some time to clear some surfaces in the fabric room. One of the things I uncovered was some 1.5″ white logs cut for a Curved Log Cabin (MSQC tutorial). The floral 2.5″ strips were nearby. Was that my original plan? Beats me. This is Corona Spring, not yet assembled. Gracing the design wall for now while I complete some of the tasks on the many projects laying around the sewing area. I’ve been flitting from project to project, can’t you tell?

I also finished cutting blocks for another floral and green quilt that I’m calling Corona Garden. It’s using this half log cabin block from Kea Bee.

I got out a UFO box with the triplets in it. Norma Campbell, a local teacher, is a master of Trip Around the World quilts. One of her classes is Triplets where one set of fabrics results in 3 baby quilts. I took the class years ago. One day when I was in the shop they had a bunch of animal print bolts lined up and I decided to take Triplets to the wild side. When I got the box out I was surprised to see that this top was ready for quilting. I’d forgotten that I’d finished a top. Fortunately, I’d made notes about what I did for the borders and that I planned the same thing for the second top.

triplet1top

Triplet #1

triplet2top

Triplet #2

The note said to use orange Stonehenge for the flange. Hmm. No orange Stonehenge in the box. Apparently I bought it the day we decided that. It came home and went into the to-be-washed pile and never got put with the project. I found something I liked better in stash so everything’s good.

I got out the backing fabrics to check size and, darn it, they’re too narrow for the long-armer but not long enough for two lengths.

The backs are directional so now I have a dilemma. I’m going to send the pictures to my long-armer and ask her advice. I might could do the John Flynn diagonal back thing but the formula makes my head hurt, especially if you have a quilt that takes more than one length of fabric. Jinny Beyer created a worksheet. It looks like John added a calculator for how much fabric you need on this page (scroll down to the diagonal back instructions). I’ve never actually done one of these. I did cut fabric for one once but a stripe is a bad choice. I ended up using something else that worked out much better for the quilt. For the triplets, it would mean the print doesn’t match where the seam is but it would keep the animals all going in the right direction.

I wasn’t ready to work on the third one so I packed them back up in the box and put them back in the UFO closet.

I got a call from a neighbor that her sister-in-law’s niece who’s an ER nurse at the hospital was asking for scrub hats for the nurses to keep their hair clean of virus. The nurses are terrified. I made these two. I made 3 men’s scrub hats but forgot to take pictures of them. It took me quite a while to understand the instructions for making these. They aren’t my best work but they should serve the purpose. There’s a reason I don’t make garments. The surprisingly hard part was finding coordinating fabrics that are big enough. Fat quarters are too small.

While I was doing all this sewing, this kept happening:

bobbinthreadmess

All that mess of thread is the top thread wrapping around the bobbin and jerking the bobbin case out of position. Sometimes it will sew fine for a good while. Other times this happens several times a day. I’m ready to throw this thing against the wall. It’s a Janome 9400. Some people have no problems with their machine and some of us have nothing but problems. Apparently, quality is inconsistent from one to the next. I thought I’d try a new bobbin case in case that might help. It seemed a simple question for a dealer, “Do you have a red dot bobbin case for the Janome 9400?” I called on Saturday. I figured they’d go to where they had the Janome accessories, look at the package and see if it’s a red dot and if it’s for the 9400. They seemed confused by my question. Finally said they’d have to do some research to find out which one was the right one for the machine and they’d call me back. Well, it’s now Wednesday and I haven’t heard from them. Next week I’m calling a different dealer. I’d call the one where I get the machine serviced (not the one I bought it from) but they’re completely closed for the duration.

This first happened last fall, maybe? The bobbin case was turned 180 degrees from normal. The tech just said, “That’s not right” and yanked out the bobbin case. Did he damage something when he did that? I’m waiting for it to happen again so I can just leave it with the fabric stuck in it and take it in again when they reopen. The bobbin and bobbin case just rattle around and make terrible noise which is why I wanted to try a new bobbin case, maybe it’s damaged. The bobbins are Janome branded so they are correct.

I’ve set up my new travel machine to use. I get a free cleaning if I take it in before the 1 year is up in October. Since the May retreat is cancelled it wouldn’t have had enough use to need a cleaning. At least this way I can get some more use on it. I don’t have an insert for it that fits my Horn cabinet and I don’t like using it on a 30″ table because that makes it too high. I can adjust the table to 23″ but that’s too low. Sigh. Maybe I need to drag my old 1970s era portable sewing table downstairs and set it up. I think there might be something wrong with the light on this machine so I’ll have them check that when I take it in. One of the holiday gifts from someone in my mini-group a couple of years ago was a strip lighting kit that goes on the underside of the harp. That will be perfect for this machine. I just have to remember where I put it.

I’d like a new small table for my new old Bernina so it can stay up all the time. I don’t have an insert for it for my big table, either. A new table is something I was going to look for at the big regional quilt shows this spring which have, of course, all been cancelled. Next big regional show is scheduled for September.

Keep safe and let’s Dump Trump in November.

Hometown Girl

January 26, 2020

The Maryland Historical Society has been running a year-long exhibit of Mimi Dietrich’s quilts. It is coming to an end mid-March. If you are in the area, I highly recommend going. Three antique Baltimore Album quilts are also included in the exhibit.

Mimi has led over 50 tours of the exhibit so far. Contact the museum to arrange a tour with Mimi for your group. For those of you who can’t make it to the museum to see the quilts in person, she is doing a virtual tour on her blog. Start with this post and read forward. She might actually get to a quilt in the next post. I suspect she’ll do one quilt a day or perhaps a group of related quilts as a post.

I’ve known Mimi since 1998 when I took her year-long Baltimore Album class (no, it isn’t finished) and I was surprised by a couple of the quilts in the exhibit that I’d not seen before. The Hon (you have to be familiar with Baltimore to get this) quilt advertising the exhibit was a surprise when Mimi first showed it because it is very non-Mimi in style. It’s one of my favorites and is a lot of fun because it is full of iconic Baltimore things. I’m sure she’ll explain all the details in this quilt when it gets its turn in a post. The only reason I get this quilt is because I’ve lived in the Baltimore-Washington area since 1982 and have received the appropriate education in things Baltimorean.

Please check out the virtual tour and continue to follow it as she progresses through the exhibit.

2019 Finishes

January 1, 2020

Well, this was a shock! I felt like I’d accomplished a lot and had a bunch of finishes this year. As I went through my posts for 2019 I only found one finish that was posted. I do have other finishes so I will go back and post them so I can include them in this roundup.  I need to do a better job of posting my finishes in 2020.

I got 7 quilts back from a long-armer shortly before I left for the Christmas holiday and I already had 4 (I think) quilts waiting for binding. I’ve got 3 more ready for quilting.  I have one quilt at my primary long-armer which should be coming back soon because I need it for our quilt show in April. I’ve got lots of blocks ready to be assembled into quilts. One quilt is waiting for a backing so it is almost ready for the quilter. Another just needs borders sewn on and backing made and it will be ready. 2020 should have a bumper crop of finishes if I can keep up with the binding, backings and labels.

So, on to what did get finished in 2019.

The March Snowman, Going in Like a Lion, Coming Out Like a Lamb, from the Snowmen Will Melt Your Heart collection is the only one of the Snow people that was completely finished (no label yet, sigh). January, February, April, and May are ready to quilt. I finally finished the embroidery for June and it is ready for assembly. The July-December pieces are still waiting their turn for realization.

marchsnowman

I Used to be a Layer Cake was finished in April.

iusedtobealayercake1

Flying Home was finished in the first half of the year.

flyinghome_front

T for Two was finished in time for me to gift it when I went to Illinois in early May.

tfortwo

Mocha Meringue was finished in the fall.

mochameringue_front

Sweet Poison was finished sometime around mid-2019.

sweetpoisonfront

In the Pink was finished in late summer or fall.

inthepink_front

9-patch blues was finished December 29.

9patchblues_front

String Weaver was finished December 28.

stringweaver_front

I think that’s it for 2019. I can’t think of anything else that was finished in 2019. I will try to post my finishes more timely in 2020.

Sweet Poison finished in 2019

January 1, 2020

My friend, Caren, said she would smack me if I gave this a “cause” name. Maybe she won’t notice when it’s hanging in our quilt show in April. All of the fabrics are high carbohydrate  foods. They may taste good but they’re all sugar in the end. The “leading” and binding are a chocolate bar print. I will be the first to admit that I eat way too much chocolate. But, as I once told my mother, life without chocolate and pizza isn’t worth living. I need to add ice cream to that.

This one was finished in the spring or early summer 2019. Sometime in 2019 anyway. It is 68″ x 68″.  I didn’t think it looked right with a border but I felt the binding should be a little wider than the .5″ sashings. I wanted to do 1″ but when I did the calculation for how wide to cut the binding (6 x width of binding + .25 for turn) it came out to 6″. That’s just plain ridiculous. The binding was cut at 4.5″ to finish as a .75″ binding.

sweetpoisonfront

This is a combination of two similar patterns: Kwik Krazy and Kwik Krazy II by Two Kwik Quilters. Would you believe I got them off the freebie table at guild? Half the blocks are from each one. They are available at kariejewell.com. I added the “leading” for a stained glass look. I see that she offers a similar stained glass pattern. The “leading” fabric is cut 1″ to finish .5″. I think my blocks came out to around 11″ inches or so with the addition of the leading. These are the type of pattern where you stack squares of fabric, cut them all, shuffle, then trim up to a common size at the end. I made two other tops with these patterns before this one although they are still waiting to be finished. That’s a story for another day.

Accuquilt offers a die with a similar pattern in a 10″ block (I think) for the Go! Big cutter and has just come out with one for a 6″ block that fits the Go! cutter. The patterns I used have 9 pieces per block. The Accuquilt dies have 10 pieces per block. I think I might get the 6″ block die to use for scraps but, in general, I think I prefer the larger one because you see more of each piece. I don’t have a Go! Big and no plans to get one so I’ll continue to use my patterns.

The back is more high carb foods. Gotta try to use up that stash. It’s not going to happen but I have to believe I can.

sweetpoisonback

It was quilted by Maria O’Haver, Pangor Quilt Design Studio, using a candy kiss edge-to-edge design. I don’t have a picture of the quilting. Frankly, it’s very difficult to see because the prints are so busy. This quilt will be entered in our show in April 2020.

I seem to have lost the pattern. Perhaps it is with the label I chose that I haven’t made yet. I don’t know where it is, either. It will turn up. There are a limited number of places it can be. Actually I can think of only two. I haven’t looked there yet. I’ll come back and add that when it’s done. The quilt police are almost at the door.

 

In the Pink finished 2019

January 1, 2020

This quilt originated from 2.5″ strips from the scraps of my deceased friend, Genie. Gone but never forgotten. I don’t think I had to add anything from my stash. It is 48″ x 56.5″. It will be donated to a charity supported by my guild. Charity was a very important part of Genie’s life. She worked diligently to make quilts for various good causes.

Once again, the quilt is even, the pictures are not.

inthepink_front

The back is an old Jinny Beyer print from my stash.

inthepink_back

The white thing hanging off the top right corner is the label that hasn’t been sewn on yet.

inthepink_label

Stephanie Sanidas, one of our guild’s charity group leaders, did the quilting. She did a simple diagonal cross hatch.

inthepink_quilting

I expect the quilt to be included in the guild’s charity quilt display at our quilt show in April 2020.

String Weaver finished 2019

January 1, 2020

This quilt was made from scraps. I was tired of doing the diagonal string thing so sewed them straight up and down and set them to look like they’re woven, one color one direction, the other color the other direction. It is 50″ x 61.5″. This was finished December 28. The binding is pink with black polka dots.

Once again, the quilt is straight and even, the pictures aren’t.

stringweaver_front

The back is the same one used on T for Two.

stringweaver_back

Daria Phair quilted it with a butterfly edge-to-edge design.

stringweaver_quilting

This was made with the idea that it would be a donation or gift. I’m finding that when I made a quilt for someone specific from the get-go I don’t have a problem giving it up when it is finished. I’m going to have a hard time giving up these quilts made for non-specific destinations. Sigh.

Again, will have to update after a label is made.

9-Patch Blues finished 2019

January 1, 2020

This quilt began with blocks that probably came from the freebie table at guild. I don’t remember where I got them. I found them at the bottom of one of the scrap bins when I was sorting out the strings and crumbs. I finished the binding on this while I was away for the Christmas holiday. I pulled a fabric from stash to make the binding but before I cut anything I looked on the shelf where I keep binding that I’ve already made for some projects. Sure ‘nough, I found one for this quilt. Whew! Good thing I didn’t go ahead and start cutting. As I sewed the binding on I discovered that it was a scrappy binding. My first time doing that.

As I was getting to the last few inches of binding I felt something pulling on the quilt. Here’s what I saw:

9patchblues_smokey

My brother’s dog decide to curl up on the bottom of the quilt. This is only the second time he’s seen a quilt but he sure knows what to do when he sees one.

The quilt is straight and even on all sides, the pictures aren’t. It is 45.5″ x 57″.

9patchblues_front

The backing is flannel. So soft and cuddly.

9patchblues_back

It was quilted by Daria Phair with a bubble edge-to-edge design.

9patchblues_quilting

This is intended as a donation or gift.

Will have to update this after I get the label on. The quilt police are probably on their way now.

Mocha Meringue finished 2019

January 1, 2020

I can only find one post where I wrote about this project and that was when it was ready for the quilter in April 2019. This was a free pattern to go with a fabric line from Marcus Fabrics. Seminole Sampler (gone now) had the fabrics that struck a chord with me. Robbyn helped me gather all the cuts I needed for the “kit” except for the black inner border which I could pull from stash. This had to be around 2012-2013 or so. I pulled it out to work on sometime before 2017 (I moved that year and remember working on this at the old house). I took it to retreat in 2018? maybe, assembled the blocks and discovered that the inner border fabric was missing. It sat waiting until spring of 2019 when I finally finished the top. The quilt is 54″ x 64″.

Although the pictures make it look like the quilt isn’t even on all sides, I assure you it is. I just can’t seem to hold the phone straight to take the pictures.

mochameringue_front

I had quite a few leftovers since this was a kit I made and I always round up on fabric requirements to allow for mistakes, mine or the pattern writer. The back used all the leftovers that were large enough with a few additions from my stash. It was hard to find the right color and feel to go with these fabrics.

mochameringue_back

It was quilted by Maria O’Haver, Pangor Quilt Design Studio, using a leafy edge-to-edge design.

mochameringue_quilting

I’ll have to come back and update after I add the label (hanging head in shame).